This is the African American History Guide.
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In the run-up to the 2016 national election, many issues involving election law have come to the fore. This volume will explore such timely topics as campaign finance and the corporate funding of elections in the aftermath of Citizens United vs. Federal Election Commission (2010), which opened the door to unlimited corporate and private funding of candidates in federal elections. The volume will also investigate the effects of SCOTUS's ruling to roll back various aspects of the Voting Rights Act of 1965, allowing states to make their own election laws--including instituting voter ID laws and cancelling early voter registration--without federal oversight. Other important issues under discussion include the rise of one-party domination of state government and the subsequent, unprecedented gerrymandering of districts; the use of initiatives and referendums to mobilize political bases; and the changing uses of social media in campaigns. Articles will also examine the rise of political dissidents both inside and outside the two major parties.
Examines the anthropological, sociological, historical, economic, and scientific theories of race and racism in the modem era. Delves into the historic origins of ideas of race and racism and explores their social and scientific consequences. Includes biographies of significant theorists, as well as political and social leaders and notorious racists.
This new volume of Sociology of Crime, Law and Deviance addresses issues of race and ethnicity within the law and law-related phenomena. Even in today's so-called multicultural, post-racial world racial and ethnic concerns prevail in many aspects of modern law. Contributors to this volume examine racial and ethnic disparities in sentencing and punishment; the continued problematic nature of the African American experience within the US system; the criminalization of immigrants; racial inequities in the administration of drug laws; and the racial disparities that affect juvenile justice. This volume will be of interest to students and researchers in law, socio-legal studies, criminology, criminal justice, sociology and public policy.
A powerful polemic on the state of black America that savages the idea of a post-racial society. America's great promise of equality has always rung hollow in the ears of African Americans. But today the situation has grown even more dire. From the murders of black youth by the police, to the dismantling of the Voting Rights Act, to the disaster visited upon poor and middle-class black families by the Great Recession, it is clear that black America faces an emergency--at the very moment the election of the first black president has prompted many to believe we've solved America's race problem. Democracy in Black is Eddie S. Glaude Jr.'s impassioned response. Part manifesto, part history, part memoir, it argues that we live in a country founded on a "value gap"--with white lives valued more than others--that still distorts our politics today. Whether discussing why all Americans have racial habits that reinforce inequality, why black politics based on the civil-rights era have reached a dead end, or why only remaking democracy from the ground up can bring real change, Glaude crystallizes the untenable position of black America--and offers thoughts on a better way forward. Forceful in ideas and unsettling in its candor, Democracy In Black is a landmark book on race in America, one that promises to spark wide discussion as we move toward the end of our first black presidency.
A New York Times bestseller A New York Times Notable Book A Washington Post Notable Book A Publishers Weekly Book of the Year As seen on CBS This Morning, NPR's Fresh Air, and People Magazine A New York Times Book Review Editor's Choice A Publishers Weekly Best Book of the Year A Library Journal Nonfiction Pick of September The New York Times bestseller about a young black man's journey from violence and despair to the threshold of stardom. "A beautiful tribute to the power of good teachers."--Terry Gross, Fresh Air "One of the most inspiring stories I've come across in a long time."--Pamela Paul, New York Times Book Review Ryan Speedo Green had a tough upbringing in southeastern Virginia: his family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of twelve, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of twenty-four, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers. Today, he is a rising star performing major roles at the Met and Europe's most prestigious opera houses. SING FOR YOUR LIFE chronicles Ryan's suspenseful, racially charged and artistically intricate journey from solitary confinement to stardom. Daniel Bergner takes readers on Ryan's path toward redemption, introducing us to a cast of memorable characters--including the two teachers from his childhood who redirect his rage into music, and his long-lost father who finally reappears to hear Ryan sing. Bergner illuminates all that it takes--technically, creatively--to find and foster the beauty of the human voice. And Sing for Your Life sheds unique light on the enduring and complex realities of race in America.
The New York Times Bestseller! The extraordinary true story and basis for the Academy Award nominated film BlacKkKlansman, written and directed by Spike Lee, produced by Jordan Peele, and starring John David Washington and Adam Driver. When detective Ron Stallworth, the first black detective in the history of the Colorado Springs Police Department, comes across a classified ad in the local paper asking for all those interested in joining the Ku Klux Klan to contact a P.O. box, Detective Stallworth does his job and responds with interest, using his real name while posing as a white man. He figures he'll receive a few brochures in the mail, maybe even a magazine, and learn more about a growing terrorist threat in his community. A few weeks later the office phone rings, and the caller asks Ron a question he thought he'd never have to answer, "Would you like to join our cause?" This is 1978, and the KKK is on the rise in the United States. Its Grand Wizard, David Duke, has made a name for himself, appearing on talk shows, and major magazine interviews preaching a "kinder" Klan that wants nothing more than to preserve a heritage, and to restore a nation to its former glory. Ron answers the caller's question that night with a yes, launching what is surely one of the most audacious, and incredible undercover investigations in history. Ron recruits his partner Chuck to play the "white" Ron Stallworth, while Stallworth himself conducts all subsequent phone conversations. During the months-long investigation, Stallworth sabotages cross burnings, exposes white supremacists in the military, and even befriends David Duke himself. Black Klansman is an amazing true story that reads like a crime thriller, and a searing portrait of a divided America and the extraordinary heroes who dare to fight back.
National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America," The Fire Next Time," as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, "The Progressive "magazine republished one of its most famous pieces: James Baldwin's 1962 Letter to My Nephew, which was later published in his landmark book, "The Fire Next Time." Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon. Award-winning author Jesmyn Ward knows that Baldwin s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation s most original thinkers and writers to give voice to their concerns. "The Fire This Time" is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin s essay was published, entire generations "have" dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a post-racial society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin s fire next time is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young."
During the Cold War, Ellis Island no longer served as the largest port of entry for immigrants, but as a prison for holding aliens the state wished to deport. The government criminalized those it considered un-assimilable (from left-wing intellectuals and black radicals to racialized migrant laborers) through the denial, annulment, and curtailment of citizenship and its rights. The island, ceasing to represent the iconic ideal of immigrant America, came to symbolize its very limits. Unbecoming Americans sets out to recover the shadow narratives of un-American writers forged out of the racial and political limits of citizenship. In this collection of Afro-Caribbean, Filipino, and African American writers--C.L.R. James, Carlos Bulosan, Claudia Jones, and Richard Wright--Joseph Keith examines how they used their exclusion from the nation, a condition he terms "alienage," as a standpoint from which to imagine alternative global solidarities and to interrogate the contradictions of the United States as a country, a republic, and an empire at the dawn of the "American Century." Building on scholarship linking the forms of the novel to those of the nation, the book explores how these writers employed alternative aesthetic forms, including memoir, cultural criticism, and travel narrative, to contest prevailing notions of race, nation, and citizenship. Ultimately they produced a vital counter-discourse of freedom in opposition to the new formations of empire emerging in the years after World War II, forms that continue to shape our world today.
